Hey I have purple hair and farzadsamava is a total cutie
masculinity is so funny to me bc men deprive themselves of the best things in life in order to achieve it like ….fuzzy socks, fun fruity pink drinks, spa days, lifetime movies, expressing positive feelings in a healthy way, being a warm genuine person
Guys, this is making news. We’re being heard.
But the comments on the article are, as usual, horrible (accusing us of being delusional, crazy, etc.).
If you guys could please go offer some words of support, that would be GRAND.
Article HERE: (x)
NO THIS IS REALLY IMPORTANT
Not only are the comments on the article horrible, but the writer of the article was getting harassed by people for even writing it.
Please people go show some love and if you have a Twitter go and tell this guy he’s fucking rad.
#tired of media starring middle aged men complaining about how boring and stagnant their lives are now that they’re married, holy shit i could not be less interested in that genre
If a white boy is talking to you just say “oh shit dude no way” and they’ll think you’re listening the whole time
Similar Shots: The Grand Budapest Hotel (2014) dir. Wes Anderson
The Interiors of Wes Anderson’ in the latest issue of Apartamento #13
“You could compare Wes Anderson to an interior decorator,”says Apartamento’s Editor-in-Chief Marco Velardi of today’s enchanting series, taken from the bi-annual title’s latest issue. With the director and screenwriter’s private house strictly off limits, the magazine traces the meticulously considered art of set design in his filmography: miniature brownstone apartments, nostalgic color schemes and embroidered and elaborate costumes. “I always say that a picture of someone’s home tells you a lot more about that person than any portrait possibly can,” muses Nacho Alegre, director and co-founder of Apartamento. “I imagine in a movie the time you have to describe a character is limited, so using the interiors to do so probably becomes something of a necessity.” An intricate visual language has become Anderson’s trademark; in his hands, set design becomes both a storytelling device and character trope, from his shot-on-a-shoestring debut, Bottle Rocket, to his latest saccharine fantasia, The Grand Budapest Hotel. Velardi adds: “Ultimately, if you look at his work there are a lot of interiors, with very peculiar and very precise work on the spaces and what people wear; Wes is passionate about every single detail, and that’s why it’s fascinating for us.”